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Why ‘Our Moon’ Author Jane Yolen Was So Beloved: NPR

Why 'Our Moon' Author Jane Yolen Was So Beloved: NPR

Jane Yolen in 1989.

Denver Post/AP


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Denver Post/AP

Author Jane Yolen published an astonishing number of books in her lifetime – more than 450.

He died last week at his home in Hatfield, Mass., at the age of 87. Her residence there marked the beginning of a career in which Yolen wrote picture books such as the hugely popular. what are dinosaurs like ? series. But he also wrote across a variety of age groups and genres, including young adult fiction, fantasy, poetry, and more.

Yolen’s daughter, Heidi Stemple, says that her mother had a favorite saying: “Touch the magic. Pay it forward.”

That’s what Yolen has done for more than six decades as a writer. He was born in Manhattan in 1939 but lived most of his adult life in western Massachusetts. In addition to Heidi Stemple, Yolen had two sons, Adam and Jason Stemple, and collaborated on creative projects with all three of his children.

“It was truly a dream for all of us to work with him,” says Heidi Stemple.

Yolen was also known for her reimaginings of classic folk and fairy tales. the new York Times Called him “the modern equivalent of Aesop” and newsweek He was dubbed “America’s Hans Christian Andersen.”

But Yolen told her family that the comparison to the Danish author was not fair.

“She reminded people – and we all make fun of this – that she was not America’s Hans Christian Andersen,” says Stemple. “She was a swan Jewish Anderson of America.”

Yolen’s Jewish identity shaped the books Briar Rose And devil’s arithmeticBoth were established during the cataclysm. In the latter, a Jewish American girl travels to 1942 Poland, where she is sent to a concentration camp.

Pamela Anderson teaches English at a junior high school in Chandler, Okla. She said she assigns work devil’s arithmeticwhich was published in 1988 to his 8th grade students, many of whom knew little about the Holocaust before they stepped into his classroom.

“I’m very strong about the validity of the authorship,” Anderson says. “(Yolen) didn’t just write a book about the genocide. She collected information. So this book is really a fusion of the concentration camps, a fusion of the stories that she learned.”

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