Desire, obsession, intimacy and fear have long been part of horror cinema’s emotional vocabulary. From Gothic romances and doomed love affairs to the more disturbing intersections of sex, violence and bodily transformation, the genre has often found some of its richest material in the complexities of human relationships.
We chat with author Kennedy Cole about There Used to be People Here, which is set in 1970s Mississippi and follows a Black detective and his temporary partner who are assigned to a case that shifts from murder to paranormal conspiracy with life-altering repercussions.
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