opting out © 2026, Maiya Kobabe and Swati “Lucky” Sreekumar, an imprint of Scholastic Inc. Graphics used with permission
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In a key scene from the new middle grade graphic novel opting out, 12-year-old Sachi’s father is encouraging her: “You don’t start out good at something. You get better and better until it changes! Then the cycle repeats.”
Sachi is having a tough time in seventh grade, although neither of her parents apparently have any idea what’s really going on. For the second time this year, he has been suspended from school for three days after he was caught fighting with another student in his class. To show support, Sachi’s father has decided to take her to a temple with him on one of those days. To some extent he wants to remind them of the cyclical worldview of their family religion, Hinduism. He wants Saatchi to understand that change happens; We must try to respond to change in the best way possible; And, whatever the outcome, change happens again.
Saatchi’s parents count their early teenage years not at 13, but at 12. And, as her father points out, with practice Sachi is getting better and better as a teen.
This exchange is an unusual but powerful form of a parent-teenager’s heart-to-heart conversation, which can often turn into mundane clichés in life and literature. The conversation unfolds at a critical moment opting outThe latest work from Maia Kobabe and co-creator Swati “Lucky” Sreekumar. When the book opens Sachi is a stubborn, confident sixth grader, but she soon finds herself becoming more and more frustrated as the social dynamics of elementary school begin to unravel before her eyes. Whereas before she could count on her best friend, Lyla, to sit next to her in class, now suddenly Lyla has a crush on her, and she prefers to sit next to her. Him. In fact, everyone around her, first in sixth grade, then especially in seventh grade, is interested in the world of dating and romance.
It’s not just the coupling off that troubles Saatchi. Her body is full of wonders. (The scene cues her having her first period in class, then being pulled aside by a teacher telling her she’s taking too many bathroom breaks.) Saatchi has a warm, supportive family, including an upbeat, stylish younger sister, Samaira, who occupies the lower half of a shared bunk bed. She also has a strong sense of self-actualization, especially when it comes to her passions, storytelling and writing. Even at the age of 12, she is determined to see her work published. It’s all these other things that confuse her – confusing experiences that Saatchi initially can’t name, then eventually learns from a book, are commonly known as gender identity and gender expression.
Not only does Sachi feel isolated among her hand-holding, couple-living companions. She hates the bathing suits that her mother would choose for her to wear. She doesn’t want to go on dates, and she doesn’t like “girly stuff.” She tells Lyla, “I wish I didn’t have a body,” but Lyla seems more upset than her friend. His teachers also don’t help much. When Saatchi’s class is divided into two groups, boys and girls, to receive sex education in separate classrooms, Saatchi boldly declares, “Please, I would like both sexes to leave.” Irritated, the teacher replies, “Sit down.”
opting out It’s a warm and ultimately uplifting, but also direct and honest, look at the turmoil that often occurs in early adolescence. Any young person will find ways to connect with the amazing changes Saatchi experiences; But young people struggling with similar questions, about where and how to fit into a gender binary that feels limiting and confusing, will perhaps find even more validation – and reassurance – here.
Although this work is Sreekumar’s first work, co-producer Kobabe is already known for Gender BizarreA graphic memoir, contrast opting outWhich is aimed at older teens and adults and tracks a young person’s exploration of gender and sexuality into adulthood. First published in 2019, Kobabe’s bold and original memoir has been so important a new version, Gender Queer: Annotated Version, was published In May. This expanded text includes original comics, commentary, and notes as well, some by the author, others by critics, former teachers, and co-creators, such as Kobe’s brother, Phoebe, who colored the memoir and also appears in several scenes. Although Kobabe’s work is known to be one of the books most challenged by conservative parenting groups in American libraries at this point, it is perhaps worth noting the literary gap that the memoir, with its many enthusiasts, appears to be filling.
opting out © 2026, Maiya Kobabe and Swati “Lucky” Sreekumar, an imprint of Scholastic Inc. Graphics used with permission
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opting outAimed at readers aged 10-12, it will definitely find its own keen audience. The book has a rich and vibrant color scheme, with practical but vibrant illustrations. The plot is easy to follow, full of pleasant surprises. For example, there’s an unexpected thread tracing Sachi’s evolving relationship with her younger sibling, as well as her interactions with a nemesis turned confidant.
“Even gods change,” Sachi’s father reassured her in the same conversation, reminding her how, in the stories told about Vishnu, one of the main gods of Hinduism, he would take different forms each time he came to earth. “Each incarnation is different, but each is still Vishnu and has his own role.”
If growing up requires practice, that practice inevitably involves trying out different ways of being in the world. Sometimes this involves getting in, sometimes it involves getting out. Most of all, it means embracing possibility.
