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How did Tom Holland become the new king of press tour style?

How did Tom Holland become the new king of press tour style?

Tom Holland Summer is officially upon us. English actor set to dominate multiplexes with Christopher Nolan odyssey And Spider-Man: Brand New DayWhich means a marathon of big-time premieres and photocalls. Over the past month, Holland has been around the world promoting both films — and he’s dressing like he knows every stop is another chance to deliver an elevated level of fit.

A press tour of this magnitude demands a wardrobe to match, and Holland has more than delivered. working with a stylist crystal coxHe’s put together one of the strongest celebrity fashion runs of the year, cycling through an all-star roster of designers who never felt like he was trying too hard.

“When we first talked about this race, Tom was ready to do something different than we had seen him do before,” says Cox. The two have been working together for the past few years, having met through Zendaya and her power stylist, Law Roach. These back-to-back summer blockbuster press tours mark their biggest tours to date, with Cox having begun preparations in February. Given that both press tours were overlapping, Cox wanted to ensure that each film had its own distinct vibe. For odysseyThey leaned towards earthy tones and more mature styles; spider man Featuring color-coded winks for the web-slinging superhero could make things more playful.

Last month, Hollande started brand new Day Euro trip in Barcelona with a clean, simple Jacquemus look – a black work jacket and trousers over a Spidey red dress shirt. He followed it up with less obvious fan service in Berlin a week later: a cream leather jacket, blouse style shirtAnd blue jeans, all courtesy of Prada, which matches the outfit worn by Peter Parker in the comics. Cox says of the latter, “That (look) was a testament to the law and the way of dressing.” “Sometimes it’s a little hard for men to lean into that. But I did a lot of research on the comics and found some easy character references that we can look at without getting too worked up.”

Later that night a custom double-breasted Celine suit arrived with a dark red shirt and tie. The next day in Rome, Holland sported a workwear-inspired Baleniaga look designed by the house’s new creative director, Pierpaolo Piccioli, before finishing the job in a dazzling mahogany Louis Vuitton suit by Pharrell Williams. It’s a killer array of custom looks from fashion’s biggest houses in just over a week.

It would have been understandable if Holland and Cox had taken their foot off the gas once the press tour for Nolan’s legendary blockbuster began. Instead, they were seen dropping it on the floor.

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